this event is part of
| start | 14.00 |
Standard €31.00
Réduction -35 a. €20.20
Réduction -26 a. €15.50
Part of Beat it! Festivalpas
Maximum impact with minimal resources: this idea runs like a common thread through the Beat it! Happening. For instance, Tristan Perich creates an impressive sonic architecture using just a few instruments and electronic pulses. Julian Sartorius, in turn, starts with a single rhythmic pattern that unfolds into a layered soundscape. A similar concept underpins the South Indian Carnatic music. With Ensemble Quidni, too, we see a play between simplicity and abundance: with a limited number of musicians and historical instruments, they create a colourful sonic universe. Where Seijiro Murayama and Victor Guaita seek out minimalism in an extremely intimate setting, Superdrum goes in exactly the opposite direction: with over a hundred drums, an overwhelming wall of sound is created that blows the astonished audience away.
Using over a hundred second-hand drums, donated by the public or found on online marketplaces, in charity shops or in attics, Touki Delphine built Superdrum. A self-playing drum installation played by twigs collected in the woods and along roadsides. The result is a quirky, thumping beast of sound and light.
23 beats form the basis for an uninterrupted rhythmic pattern that constantly shifts ever so slightly. Changes in sound, instrumentation, dynamics and intensity bring this sonic landscape to life. The result is a timeless journey from trance-like repetition to colourful rhythmic expression.
Two chairs side by side. A Japanese percussionist and a Spanish violist sit next to each other. In their performance of a predetermined duration, they reduce the sound material to a minimum. They do not construct a dialogue, nor do they strive for unity. Yet they create a sonic space all their own.
Trio Quidni blends medieval sounds and traditional rhythms in a fiery percussion journey featuring rare instruments, improvisation, contemporary compositions and infectious musicianship. Can you keep your feet still?
In Parallels, the New York-based Tristan Perich combines triangles and hi-hats with electronic 1-bit sounds played through small, separate speakers. The result is an intriguing soundscape where minimalism and technical precision converge.
Master percussionist Prathap Ramachandra and his companions immerse you in centuries-old South Indian percussion music. They give free rein to their creativity on instruments such as the ghatam, mridangam and khanjira, while exploring into konnakol, the art of vocal percussion. Although this art form sounds modern and virtuosic, the music draws on a centuries-old tradition.
Julian Sartorius (1981)
RLLRLRLLRRLRLRLRLLRLRLR
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Music from Le Manuscrit du Roi (late 13th century) & Cantigas de Santa Maria (13th century); traditional music from Mallorca and Occitania; music by Moniot d’Arras (fl. 1213–1239), Colin Muset (fl. 1200–1250), Baptiste Romain (1984), N. Scott Robinson (1959), Yousif Sheronick (1967) & Pere Olivé
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Tristan Perich (1982)
Parallels
Julian Sartorius (1981)
RLLRLRLLRRLRLRLRLLRLRLR
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Music from Le Manuscrit du Roi (late 13th century) & Cantiga
Touki Delphine: installation
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Julian Sartorius: concept & composition
Julian Sartorius & students of GAME (Advanced Master in Contemporary Music – KASK & Conservatorium Gent): performance
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Victor Guaita Igual: viola
Seijiro Murayama: percussion
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Quidni (trio):
Silke Gwendolyn Schulze: medieval wind instruments
Baptiste Romain: fiddles & bagpipes
Pere Olivé: percussion
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Ictus (Tom De Cock & Gerrit Nulens): percussion
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Prathap Ramachandra & NN: percussion
Touki Delphine: installation
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Julian Sartorius: concept & composition
Julian Sartorius & students of GAME (Ad
| start | 14.00 |
Standard €31.00
Réduction -35 a. €20.20
Réduction -26 a. €15.50
Part of Beat it! Festivalpas