
When Tuymans completed this magnificent fresco, the space in which it is located was renamed the Angel Room. Inspired by Morton Feldman’s Rothko Chapel, Concertgebouw commissioned a series of compositions written especially for the atmospheric Angel Room: The Angel Series. For seven consecutive years, a different contemporary composer was commissioned to create a new musical work for the series. Visitors can also listen to these compositions on site, while enjoying a view of the fresco.
As part of his Domain in October 2014, Japanese composer Toshio Hosokawa setted the ball rolling with a work for soprano and harp.
Vykintas Baltakas composed a work specially for the Angel Room, within the context of SURROUND!
Belgium’s Annelies Van Parys has composed a work, especially for the Angel Room.
It was the opposition of the Concertgebouw’s raw concrete and the finesse of Tuymans’s exquisite fresco that inspired Wim Henderickx. His creation – born within the BEAT IT! Festival – opens up a new musical cycle for which the composer takes places with a special dynamic as the point of departure.