
start | 14.00 |
expected end time | 16.45 |
In the run-up to Christmas, Handel's Messiah is on the bill at countless concert halls. We all know the music. And the texts seem to have been taken from the Bible, but even seasoned music lovers are often not fully aware of what they mean. Surprisingly, Handel’s discourse turns out to be notoriously anti-Semitic. How can we place that in its historical context? And how should we deal with it?
David Vergauwen: lecturer
start | 14.00 |
expected end time | 16.45 |
In collaboration with Amarant